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"Steve's got a great eye, and a wonderfully vibrant and open style. It's slick and yet not so unrealistic as to shatter the illusion of the story. The energy on his page is really effecting, and since a lot of what I'm writing has the potential of being...uh...dull, that's a saving grace. There's not a lot one can do with four people sitting around and chatting, but Steve turns it into something you can really care about."
- Greg Rucka, writer of Queen & Country
"Rolston's clean artwork brings a remarkable clarity to the story, and his characters are incredibly expressive."
- James Everett, Ion Magazine
on Pounded... "Leaving aside his great command of facial expressions, which was his best asset on Queen & Country, [Rolston] does stunning backgrounds, whether it's a high-rise overlooking Vancouver, an establishing shot of the New York skyline or just the interior of a club or its restroom. He also has the comedic timing that Wood absolutely needed in his artist to pull off this script."
- Randy Lander, theFourthRail.com
"Rolston's people don't just look like people, they look like people that you've seen before. He brings a wonderful level of familiarity to the cast, letting the reader ease in like they're old friends that you're just getting reacquainted with. From the disgust of stepping in a used ashtray to the sheer contentment of relaxing in one's penthouse suite balcony, Rolston is able to run the full gamut of emotion here with the greatest of ease."
- Greg McElhatton, iComics.com
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